godina
(…)
The whole cycle, that is, of impressively large format paintings, named Eyes of Fear, bears witness to Murtić’s presentiments. As if he had already had inkling, even at the time of great hopes for the world, of the compaction of the preconditions for explicit and incomprehensible tragedies, meaning an irrational liberation of destructive impulses, which no retrospective explanation is capable of discussing in a fitting manner.
Don Luciano Padovese,
Theologian, ethicist and art critic
catalogue to the exhibition Guerra perche, Galleria Sagitteria, Pordenone